Last Sunday I performed the Ursonate for the first time with live electronic manipulation (e.g. my Kaoss pads).
At the risk of 'translating' it into a cheap digitalisation, I think it opened it up even further to the possibilities of its performance as a piece of 'Merz' - where forms miscegenate and coagulate.
Rather than a straight 'accompaniment' it became more of an accomodating conflict between the input of my voice and the output of the kaoss pads. Maybe...
LISTEN: Kaossonata @ Arch 468
